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10/04/2007 04:49PM
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* ben stiller
* farrelly brothers
* heartbreak kid
Get Clips Now!
The Heartbreak Kid
E! Reviews
------------------
by N.V. Cooper
The Heartbreak Kid
Review in a Hurry: It's heartbreaking enough to witness promo playing cards shallow
remake of a treasured classic, but it's equally depressing to watch
comedy masters Ben Stiller and the Farrelly brothers go so completely
off their game.
The Bigger Picture: The original, taboo-busting Heartbreak Kid from
ford insurance is about an ambitious Jewish guy who, on his honeymoon, tries to
break free from his kvetching lower-class yenta bride and woo a
wealthy shiksa goddess from Connecticut. In this new Kid, the Farrelly
brothers strip out the satirical edge cheap homeowners insurance social castes life insurance instead
offer us Stiller doing his same old schtick, some uninspired best insurance gags, an insufferable third act streetwear fashion a donkey playing cards promotional Yep, a donkey show.
This may all sound swell to Farrelly fans who like to keep their
comedy vulgar and free from smarts, but after such recent
disappointments as Fever Pitch and Shallow Hal, The Heartbreak Kid
only proves that Bobby and Peter's creative brand of comedy is in
sharp decline.
Here's how it goes: Stiller is having lady problems again, this time
as Eddie Cantrow, a single guy best life insurance his 40s who starts to feel anxious
about that whole dying-miserable-and-alone thing. Eddie meets the
quirky bubbling blonde Lila (Malin Akerman) and, after a two-minute
montage of Eddie and Lila riding bikes and chinese tutor chicago out, they hastily
marry. During their honeymoon at a Mexican resort, Lila's obnoxious
habits, bridge size playing cards sexuality and disturbing secrets start coming out. At
the resort, Eddie meets an earthy, edgy brunette and spends most of
his honeymoon lying to Lila and canoodling with his new love interest.
Lila's cloying personality and Eddie's treacherous web of deceit give
Stiller the opportunity to do his trademark bit: slow-burning
nervousness that eventually erupts into a screaming outburst of
seething rage. But this routine, which originally endeared audiences
to Stiller in Meet the Parents, is now nothing short learn mandarin chicago tiresome.
Now, it would be silly to expect the Farelly brothers to taint their
name-brand raunch indie style with the sardonic smarts of the original.
But without it, the plot is thin and everyone renters insurance motorcycle insurance flails. Where is
that Stiller charm that made him so perfect in There's Something About
Mary? Where is that special Farrelly touch that makes gross-out gags
come off as shocking and gut busting rather than predictable and
hackneyed?
With the huge success of Judd Apatow films (Knocked Up, etc.), it's
clear audiences can handle both smart dialogue and incessant dick
jokes. So, if the Farrellys insist on sticking to the gross physical
stuff, they could at least make it, you know, good.
The 180—a Second Opinion: If you secretly love giggling at all those
smelly little stereotypes about the gays, the fatsos, the rednecks and
the Mexicans, then you will be absolutely tickled with The Heartbreak
Kid! And you'll be in the dark, so no jumbo playing cards can judge you for laughing
poker cards them.
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